We’re going to attempt to give you a quick glance at the major kinds of guitar pedal reviews. In part 1 we’ll cover the basics.
We realize that there are millions of websites offering insight for this topic, nonetheless its been our experience that they’re authored by engineers, not musicians… they read like microwave manuals as opposed to a helpful resource… Anyway… off we go.
I can’t really milk greater than a few lines using this topic. It’s pretty cut and dry- a boost pedal will offer your signal a volume boost – or cut, for the way you’ve got it set. Most boost pedals behave as a master volume control allowing you a pretty wide variety of use.
Why do I want an enhancement pedal? To bring your guitar volume up over all of those other band in a solo, to drive your amp harder by feeding it a hotter signal, to get a set volume change with the press of the mouse.
When most guitarists focus on overdrive, they are discussing the smooth ‘distortion’ manufactured by their tube amps when driven to begin breaking apart. Overdrive pedals are made to either replicate this tone (with limited success) or drive a tube amp into overdrive, creating those screaming tubes beyond anything they normally would be able to do without wall shaking volume.
Why do I want an overdrive pedal? Overdrive pedals bring an enhancement pedal- so you get those inherent benefits, you’ll acquire some added girth in your tone from the distortion made by the pedal. Most overdrive pedals have tone control giving you wider tone shaping possibilities.
According to our above definition of overdrive, distortion is where overdrive leaves off. From the rock guitar world think Van Halen and beyond for the clear illustration of distorted guitar tone. Distortion pedals often emulate high gain amps that create thick walls of sound small tube amps usually are not able to creating. If you’re lucky enough to possess a large Marshall, Mesa Boogie, Diezel or other monster amplifier to generate your distortion you possibly will not want a distortion pedal. But for the remainder of us mere mortals, guitar effects pedals are crucial to modern guitar tone.
How come I needed a distortion pedal? You want to be relevant don’t you? Even with large amps, like those stated previously, distortion pedals play an important role in modern music. They feature flexibility that boosts and overdrives are unable to rival.
God bless Ike Turner along with the Kinks. Both acts achieved their landmark tones by making use of abused speaker cabinets. Ike dropped his on the street walking straight into Sun Records to record Rocket 88, the Kinks cut their speakers with knives roughly the legends have it. Regardless of how they got it, their tone changed the globe. Some call it distortion, some call it fuzz, however, seeing the progression from the damaged speakers for the fuzz boxes designed to emulate those tones, I think its safest to call what Turner and Davies created/found was fuzz.
Why do I want a fuzz pedal? Ya like Hendrix, don’t ya? In all honesty, the fuzz pedal is seeing resurgence in popular music today. Bands like Nine Inch Nails, Marilyn Manson, Muse and the White Stripes rely heavily on classic designs on recent releases.
The job of a compressor is to deliver a level volume output. This makes the soft parts louder, as well as the loud parts softer. Current country music guitar tone is driven through compression.
Why do you require a compressor? Improved sustain, increased clarity during low volume playing.
The earliest “flanger” effects were made in the studio by playing 2 tape decks, both playing exactly the same sounds, while an engineer would slow down or increase the playback of one of the dupe signals. This is how you might produce wooshing jet streams. The advantage from the old school tape reels is known as the flange.
How come I need a flanger? A flanger will offer a new color in your tonal palette. You can tolerate out one, but you’ll never get several of the nuance coloring from the Van Halen’s, Pink Floyd’s, or Rush’s of the world.
The phase shifter bridges the gap between Flanger and Chorus. Early phasers were designed to recreate the spinning speaker of a Leslie. Phase shifting’s over use may be heard throughout the initial Van Halen albums.
So why do I need a phase shifter? See Flangers answer.
Chorus pedals split your signal into two, modulates one of them by slowing it down and detuning it, then mixes it back in together with the original signal. The result should certainly sound dexspky30 several guitarists playing the same thing simultaneously, causing a wide swelling sound, having said that i don’t listen to it. One does get a thicker more lush tone, however it doesn’t seem to be a chorus of players to me.
So why do I want a chorus? Because Andy Summers uses one, and Paul Raven says so… that should be adequate.
As a kid, do you ever enjoy the amount knob on the TV or perhaps the radio manically turning it up and down? Yeah? Well you have been a tremolo effect.
So why do I would like a tremolo pedal? 6 words for ya: The Smiths ‘How Soon Is Now’
A delay pedal generates a copy of any incoming signal and slightly time-delays its replay. It can be used to generate a “slap back” (single repetition) or perhaps echo (multiple repetitions) effect. Who amongst us can’t appreciate The Sides utilization of guitar pedal reviews delay throughout U2s career?
Exactly why do I want a delay pedal? See Flangers answer.
A variable band-pass frequency filter… Screw all that- do you know what a wah wah is… its po-rn music! It’s Hendrix! It’s Hammett. It’s Wylde. It’s Slash.